- #Germn stage lighting design how to#
- #Germn stage lighting design manual#
- #Germn stage lighting design series#
The board may also have provision to operate in analog to a manual desk for programming scenes or live control.
These sub-masters can be programmed to control a single channel (a channel is a lighting designer's numerical name for a dimmer or group of dimmers) or a group of channels. Many memory boards have a bank of faders often called sub-masters. They also allow for lighting cues to contain larger channel counts due to the same time savings gained from not physically moving individual channel faders. Memory boards are preferable in productions where scenes do not change from show to show, such as a theatre production, because scenes are designed and digitally recorded, so there is less room for human error, and less time between lighting cues is required to produce the same result. This type of controller has almost completely replaced preset boards as controllers of choice. Memory-based boards have become very popular in almost all larger installations, particularly theatres. Although this is simple, it is very time consuming and so modern desks use computer control to set up the lighting with each scene being saved into memory and then outputted as the lighting controller requires.
#Germn stage lighting design series#
Simple desks consist of a series of faders that control a channel each and by using two sets of faders, the lighting controller can change from one state to another by using a crossfade control. Lighting Boards or Desks Generally speaking there are two types of Lighting Control Boards, Manual and Computer Controlled. their beams’ size and shape cannot be changed. Their drawback as theatre lights is that they cannot be focused – i.e. Great for use in Rock Concerts or by using banks of them to create curtains of light, especially in heavy colors. Par lamps come with Very Narrow, Narrow, Medium and Wide beam angles. PARCAN is simply a shell holding a Par lamp, a sealed bulb with a fixed beam angle that produces a powerful narrow beam. They have external barn doors, which shape the beam but don’t sharpen it like the shutters on the Profile. Used to create large washes of light (like the flood), sometimes highly colored, but as beam size and shape can be altered it is preferable to the Flood. There is usually a slot cut into the body of the lantern, which accepts Gobo’s – cut out metal patterns whose image is projected onto the stage.įRESNEL lanterns give a soft-edged beam with large size variation. The beam can be further controlled by an iris – which provides a variable-diameter circular beam. They have focus knobs, which allow the beam to be defined through a range from very hard-edged to very soft. They are fitted with shutters, usually four, which can be pushed into the light beam, shaping its appearance on stage. PROFILE SPOTS will give you a sharply defined image in outline of any object placed within its focal range. The beam cannot be shaped, so generally other lantern types are more flexible. They come equipped with a gel frame and are especially useful for lighting backcloths. The following are the four most common lanterns one will find in most theatres.įLOODS are used to provide large area washes of light. A lighting designer will know what is available in the venue and where s/he can hire or purchase additional of specific lanterns. LANTERNS There are many different types of theatre lantern and each type gives a different effect.
#Germn stage lighting design how to#
The workshop is for those with or without experience who wish to learn more about the technical and practical aspects of theatre lighting It includes the study of: - Theatrical Lighting Equipment - Technical aspects of Stage Lighting - An Introduction to the Principles of Lighting Design This is a hands-on workshop on how to light a basic show and avoid common lighting pitfalls. STAGE LIGHTING The aim of this workshop is to give an introduction to stage lighting: to develop your knowledge of basic skills and to improve your confidence in this field.